The Andy Warhol Diaries

The six-part Netflix docu-series The Andy Warhol Diaries, produced by Ryan Murphy and directed by Andrew Rossi, takes a strange tack by focusing on the Pop artist’s love life in the period after he was shot by Valerie Solanas inRead More

San Diego Surf

Posted on : by : jjmurphy

San Diego Surf (1968) is one of the later films from the period in which Andy Warhol made sexploitation films. These include: My Hustler (1965), I, a Man (1967-68), Bike Boy (1967-68), The Loves of Ondine (1967-68), The Nude RestaurantRead More

Beautiful Darling

Posted on : by : jjmurphy

[Photo by Anton Perich]Candy Darling (1944-1974) was a later Warhol superstar from the period after the Pop artist was shot by Valerie Solanas and became the producer of Paul Morrissey’s films. Born James L. Slattery, Candy appeared in Flesh (1968-69)Read More

Face

Posted on : by : jjmurphy

Andy Warhol’s many silent Screen Tests provide examples of his predilection for the close-up, as do some of his other films, such as Blow Job (1964), Henry Geldzahler (1964), and Outer and Inner Space (1965). Made during his collaborative periodRead More

Notes on Marie Menken

Posted on : by : jjmurphy

As a child I lived only a block from Marie Menken, so that might explain why I always have had a tender spot in my heart for this major pioneer of American avant-garde cinema. Marie and her husband Willard MaasRead More

For Callie Angell (1948–2010)

Posted on : by : jjmurphy

I learned the news about the passing of Callie Angell the other day. It made me sad, a feeling that has stayed with me days later. I knew Callie Angell from when I lived in NYC in the ’70s. IRead More

Bike Boy

Posted on : by : jjmurphy

The motorcyclist has been a figure of rebellion in American popular culture in the Post-Second World War era, as exemplified by Marlon Brando’s role in The Wild One (1953). Kenneth Anger’s Scorpio Rising (1964), a film that strongly influenced Andy Warhol,Read More

13 Most Beautiful . . . Songs for Andy Warhol’s Screen Tests

Posted on : by : jjmurphy

It is tempting to see many if not most of Andy Warhol’s films as portraits, even when they are mixed with narrative elements, such as The Closet, My Hustler, The Chelsea Girls, or Bike Boy. In some ways, the 472Read More