Munyurangabo
January 3, 2010
We tend to associate one strand of American independent cinema with regionalism. Jeff Nichols’s Shotgun Stories, Lance Hammer’s Ballast, Kelly Reichardt’s Wendy and Lucy, Ramin Bahrani’s Goodbye Solo, and Barry Jenkins’s Medicine for Melancholy serve as some recent examples. But a new trend rooted in globalism seems to be developing. Chris Smith made The Pool […]