Best indie films of 2012
Best Independent Films of 2012

My best film list always appears in February, but I’m late this year, mainly because, even though I saw a streamed version of Julia Loktev’s The Loneliest Planet, I wanted to see it again in 35 mm. It played at our Cinematheque only last Friday. Yet, that issue aside, it’s been a hard year for […]

Read more
Independent Cinema
Dark Horse

Todd Solondz’s career started with such a bang that it’s pretty shocking that his latest film, Dark Horse (2012), struggled to gain a theatrical release. Solondz no doubt bears some responsibility. The difficulties can be traced back to his decision to make the controversial Happiness (1998) following the breakthrough success of his second feature, Welcome […]

Read more
Best Indie Films 2010
Best Independent Films of 2010

I’ve posted my "best film" list for the past three years now in February rather than December like other critics and bloggers. The reason is simple. Because I’m based in the Midwest, I always want to be sure I’ve seen all the major indie films that might be worthy of consideration. As I keep complaining, […]

Read more
Independent Cinema
Life During Wartime

Since Todd Solondz’s breakout second feature Welcome to the Dollhouse (1995) grossed nearly $4.8 million, the trajectory of his career has been decidedly downward, with each new film grossing half of the previous box office, culminating in Palindromes (2004), which promptly put his once promising career in limbo. As a result, the script for Life […]

Read more
Independent Cinema
Happiness

The strand of American independent cinema known as "underground film" often used explicit or provocative sexual material to push censorship boundaries in the 1960s. Jack Smith’s Flaming Creatures and Kenneth Anger’s Scorpio Rising, for instance, became highly publicized censorship cases. Independent features, such as Shirley Clarke’s The Connection, also provoked court battles for other reasons. This […]

Read more
Independent Cinema
Welcome to the Dollhouse

Todd Solondz, a NYU film school grad like Jim Jarmusch and Spike Lee, signed a three-picture deal with Fox and an additional three-picture deal with Columbia following his highly successful thesis short, Schatt’s Last Shot (1985). A few years later, he made his first feature, Fear, Anxiety and Depression (1989), an ill-conceived comedy in which Solondz […]

Read more