Spring Breakers
Harmony Korine has tried really hard to be America’s most vilified filmmaker. He wrote Kids (1995) for Larry Clark at age nineteen, which made $7 million at the box office and gave him credentials within the industry. With $1 million from Fine Line, his own debut feature, Gummo (1997), turned his hometown of Nashville (masquerading […]
Computer Chess
Andrew Bujalski’s Computer Chess (2013) represents a radical departure for this indie writer/director. Bujalski has been associated with mumblecore ever since Funny Ha Ha (2002) won recognition at the SXSW Film Festival in 2005 (even though the film actually debuted three years earlier). His first two films helped to define a film movement that captured […]
All the Light in the Sky
Considering how many feature films Joe Swanberg has made at this point in his career, All the Light in the Sky (2013) might be easy to overlook, especially following the recent success of his commercial breakthrough, Drinking Buddies (2013). Inspired by and starring Jane Adams, who will forever be identified with Joy, the inveterate family […]
Ain't Them Bodies Saints
Set in Texas (though apparently not actually shot there), David Lowery’s second feature, Ain't Them Bodies Saints (2013), is a modern-day western, chock full of references to both genre and other films. Its emphasis on visual storytelling recalls Terrence Malick and David Gordon Green. Prior to this, Lowery worked on many indie features, most notably […]
Drinking Buddies
Eric Hynes recently wrote an article in the New York Times about the new films by Andrew Bujalski and Joe Swanberg, suggesting that mumbecore has finally grown up. Given the fact that mumblecore reflected a youth culture and the problems of a generation of characters in their twenties, the passage of time would, of course, […]
I Used to Be Darker
Matt Porterfield gained prominence in indie film circles with Putty Hill (2011), a second feature that was shot using a short outline after financing fell through on a more ambitious scripted project. A mixture of documentary and fictional elements, Putty Hill used an episodic structure, off-screen interviewer, and improvised acting to explore the reactions of […]
Best Independent Films of 2012
My best film list always appears in February, but I’m late this year, mainly because, even though I saw a streamed version of Julia Loktev’s The Loneliest Planet, I wanted to see it again in 35 mm. It played at our Cinematheque only last Friday. Yet, that issue aside, it’s been a hard year for […]
The Loneliest Planet
Julia Loktev’s haunting Day Night Day Night (2006) established her reputation as a rigorously formal filmmaker in the tradition of Chantal Akerman. Her portrait of a young female suicide bomber (Luisa Williams) intent on detonating a bomb in crowded Midtown Manhattan is chilling in its exacting attention to detail. As the infamous O. J. Simpson […]