Face

Posted on : by : jjmurphy

Andy Warhol’s many silent Screen Tests provide examples of his predilection for the close-up, as do some of his other films, such as Blow Job (1964), Henry Geldzahler (1964), and Outer and Inner Space (1965). Made during his collaborative periodRead More

Meek’s Cutoff

Posted on : by : jjmurphy

As a filmmaker, Kelly Reichardt is obviously on a roll. Following the critical successes of Old Joy (2006) and Wendy and Lucy (2008), expectations were enormously high for her latest film Meek’s Cutoff (2010), a period piece shot on 35mmRead More

Life During Wartime

Posted on : by : jjmurphy

Since Todd Solondz’s breakout second feature Welcome to the Dollhouse (1995) grossed nearly $4.8 million, the trajectory of his career has been decidedly downward, with each new film grossing half of the previous box office, culminating in Palindromes (2004), whichRead More

Winter’s Bone

Posted on : by : jjmurphy

It’s not been a particularly great summer for movies, but it’s reassuring that there have been three exceptionally strong films by women directors: Nicole Holofcener’s Please Give, Lisa Cholodenko’s The Kids Are All Right, and Debra Granik’s Winter’s Bone, whichRead More

The Kids Are All Right

Posted on : by : jjmurphy

It seems an accepted truism that family secrets need to be explored, especially if it involves children tracking down biological or estranged parents. No one ever considers that there might be negative consequences – a proverbial monster lurking in theRead More

Journal of Screenwriting #2

Posted on : by : jjmurphy

In the most recent issue of The Journal of Screenwriting (which unfortunately isn’t available online), Kathryn Millard has written a really terrific review of Paul Wells’s screenwriting book Basic Animation: Scripting. In her review, she also cites my book MeRead More

Notes on Marie Menken

Posted on : by : jjmurphy

As a child I lived only a block from Marie Menken, so that might explain why I always have had a tender spot in my heart for this major pioneer of American avant-garde cinema. Marie and her husband Willard MaasRead More

Tiny Furniture

Posted on : by : jjmurphy

A move toward the autobiographical has been one of the more interesting developments to surface in recent indie cinema. Azazel Jacobs’s Momma Man (2008) and Josh and Benny Safdie’s Daddy Longlegs (2010) can serve as reference points. Lena Dunham’s TinyRead More